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The Room Nobody Counts

Frances Whitcombe ·

A spare bedroom is a generous thing to have until somebody asks what is in it. A sewing machine, winter coats, two boxes awaiting a decision and a bed may all occupy the same room without agreeing that it is spare. The family member describing it that way is often the one who does not need the machine.

The arrangement is often more revealing than the name of the room. Who uses the room on an ordinary afternoon? Where does the light fall? Can the door be shut while somebody works? There may be affection in the decision to give it to a visiting relative. There may also be three days of work in making that affection possible.

A daughter sewing at the window may have good reason to welcome the aunt who is coming to stay. The daughter agrees to move the machine to the kitchen table, where there is enough space after supper. Her agreement can be sincere. She wants her aunt to come; perhaps the aunt makes her mother laugh in a way nobody else quite manages. It would be a poor account of the family to regard the visit only as an imposition. The first evening goes well. On the second, the machine cannot be set out because a neighbour has stayed late. On the third, the daughter puts away the breakfast things before beginning the work she did not finish last night. Nobody has forbidden her to work. The family has simply made another use of the same table. What seemed an adequate arrangement during the conversation now has hours attached to it.

Whether the sewing is paid work, work for the household or something she enjoys makes a difference to the missed hours. A customer may be waiting, or a smaller child may have outgrown what is being mended. If she is making a dress for herself, that dress should not automatically be dismissed as less important. She has somewhere she hopes to wear it.

The aunt may notice the difficulty and propose a solution nobody expected. She might offer to share the bedroom with the machine, then discover that the daughter works earlier than she had supposed. Generosity sometimes needs revising after breakfast. A family scene can contain that small disappointment without requiring an argument large enough to shake the house.

The people in the room also bring different histories to it. A parent may remember a time when there was no separate bed for a visitor and consider the present fuss ungrateful. The daughter has grown up with the room and sees no reason that a useful improvement should make her ashamed of needing it. Both are living in their own circumstances. The novel can hold the earlier hardship without using it to silence the person born later.

Years afterwards, someone may remember that the aunt was always welcome. That can be true. The daughter may remember sewing in the kitchen for the whole visit, which can also be true. It is tempting to choose the less flattering memory and call it the honest one. There is still the dress to account for, including whether the aunt helped with the hem. A visit remembered as a burden may have lasted longer than planned because nobody was quite ready to say goodbye.

A household changes when people make another arrangement. Sometimes they acquire more space. Sometimes somebody gives up a claim, or asks for one that had never been spoken aloud. The machine could go back beside the window. The aunt is still there. There is just enough room for a chair if the boxes go somewhere else, and someone will have to decide about the boxes.