They Called It Love Anyway
John Thomas Donnelly
The kitchen
Adam Weller has come home covered in blood. His parents are awake.
The worst thing in the kitchen was not the blood.
It was that my father was awake.
He stood in the doorway between the hall and the kitchen in his white undershirt and work pants, one sock on and one foot bare, his hair mashed flat on one side from the pillow. His face was already red, not red like anger exactly, but red like the anger had only been waiting for a reason to come up through him, and his mouth hung open before he spoke, with a little wet place in the corner of it catching the kitchen light.
Behind him, the hallway was dark. In front of him was me.
I sat at the yellow Formica table with my hands flat on top of it, left hand and right hand, palms down, because if I let them hang at my sides they still seemed to be holding something. There was blood on them. There was blood on my sleeves.
There was blood on my face, dried in lines across my left cheek and over the corner of my eye, still wet under my jaw, so that when I blinked the skin pulled and when I opened my mouth my lips stuck together and made a small sound coming apart.
My mother, Helen, heard it from the wall phone. She was in her nightgown, her hair flattened from sleep and one sleeve fallen loose on her narrow shoulder, with both hands around the black receiver, the cord stretched tight from the wall jack and scraping the yellow paint every time she turned her head from me to my father and back again, as if the kitchen had three fires in it and she could not decide which one would burn her first.
“Seventy-seven,” she said into the phone, and then she stopped because the operator said something I could hear only as a small dry voice inside the receiver.
My mother tried again. “Seventy-seven...”
“Alder Street!” my father screamed, and she ducked hard enough that the receiver knocked against her cheekbone.
“Alder Street,” she said. “Seventy-seven Alder Street. Please. Please, he’s here. My son is here. He came in the back door.”
The radio was on beside the bread box, too loud, the brown plastic one with the missing knob and the little silver stem sticking out where the knob should have been. I had turned it on when I came in, and I remembered the stem between my fingers, the back door closing behind me, and the need to fill the kitchen with sound before anyone else woke up.
The Police were playing. “Every Breath You Take.” That clean little guitar part came through the static, steady and thin, the way it had come through every car window and drugstore speaker that year, and it sounded as if it belonged in another house, one with dry floors and people asleep in their beds.
My father stepped into the kitchen, and his bare foot touched the mud I had tracked in and pulled back. The mud ran from the back door to the table in a dark broken line, with pine needles in it, one stuck to my cuff and another under the table leg near the broom my mother had leaned by the back door after sweeping before bed.
He looked at the floor first, then at my face, and his mouth changed.
“What did you do?”
I looked at the radio.
“What did you do, Adam?”
His voice had climbed already. Other men got low when they were dangerous, but my father went high, the words thinning and tearing at the top, and the more he heard that sound in himself, the angrier he got.
My mother said, “Ray, don’t.”
He turned on her. “Don’t? Don’t what? Look at him!”
“I am looking at him.”
“Then ask him!”
“I’m on the phone.”
“Ask him what he did!”
“I’m talking to the police.”
He slapped the wall beside the doorway, and the kitchen jumped, one plate tapping another inside the cupboard as my mother bent into the phone with her breathing hitting the receiver before the words did.
“There’s blood on his face,” she said. “There’s blood in his hair. I can’t tell if he’s hurt. I can’t tell. No, I don’t know whose blood it is. Please hurry.”
My father crossed to the radio and hit it with the heel of his hand, breaking the song into static before it came back louder. He grabbed for the missing knob and missed the metal stem twice, breathing through his mouth and whining under his breath while he tried to catch it, and when he finally did he turned the song down but not off.
The song stayed under everything. Now I could hear my mother’s breath in the phone, the refrigerator motor, my father’s bare foot sticking once on the linoleum, Edward moving somewhere in the hall, James farther back in the living room, and the little wet sound my lips made when they came unstuck again.
My father came back to the table and grabbed the chair across from me. It had a split in the vinyl back, with yellow stuffing pushed through it, and he dug his fingers into the split without looking until the chair creaked in his hands.
“Adam.”
I looked at his hands.
“Adam!”
I looked at the silver rim of the table and at something dark caught in the seam by my wrist, a piece of bark or leaf pushed into the place where crumbs usually stayed, the same seam my mother dug at with her thumbnail after supper because she hated what collected there.
My father leaned over the chair, close enough that I could smell beer from the night before, sweat, sour toothpaste, sleep, and his face filled the space above the table: red cheeks, wet eyes, the little spit thread at the corner of his mouth stretching and breaking when he spoke.
“Who did you hurt?”
I kept looking at the table.
“Who did you hurt?”
Spit hit the Formica near my right hand. I looked at that, and that was worse.
“Don’t look at the table!” he screamed. “Look at me!”
My mother cried, “Ray!”
He slammed both hands down on the chair back, the chair legs knocked against the floor, and the table bumped my palms, but my hands stayed flat.
Edward appeared behind him in the hall, shirtless, jeans open at the waist, hair standing up in back, and stopped with one hand on the doorframe. His face emptied when he saw me, then tightened into something harder.
“Jesus Christ,” he said.
My father snapped his head around. “Shut up!”
Edward stared at my face anyway. “Is that his?”
My mother made a sound into the receiver. James stood farther back where the living room stayed dark, one side of his face and one pale arm folded over his chest visible from the kitchen. He did not come in. He never came in until he knew where the punishment was going.
Edward said, quieter, “He’s got it on his eyelashes,” and my mother turned toward him with the receiver still pressed against her face.
“Stop.”
“I’m just...”
“Stop.”
James said, “Ed,” from the living room, and Edward stopped because James had said it low, the way he said things when he wanted a door closed before my father noticed it was open.
My father lifted one hand from the chair and reached toward my shoulder. He did not move quickly, but my mother screamed as if he had crossed the room at a run.
“Don’t touch him, Ray!”
My father jerked his hand back and wheeled toward her. The radio, the refrigerator, the operator still talking faintly from the receiver, all of it disappeared under the two of them.
“I’m not touching him!” His voice climbed on the last word until it was almost a shriek.
“You were reaching for him!” my mother shouted back. She had the receiver against her cheek but was no longer speaking into it.
“I’m trying to find out what happened!”
“And I’m trying to keep you from making it worse!”
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